- #OUTPUTTING FILMS AFTER SEPARATION STUDIO MOVIE#
- #OUTPUTTING FILMS AFTER SEPARATION STUDIO SOFTWARE#
#OUTPUTTING FILMS AFTER SEPARATION STUDIO MOVIE#
FILM HUBįilm Hub is a great new resource that helps filmmakers to get access to movie distributors. You can, of course, put a finished movie on Vimeo, or VHX and/or get a movie on digital platforms like Amazon, iTunes, and Netflix.įilmmakers can also sell some rights to the film to movie distributors and retain others. It's possible to hire a theatrical booker and get a film in theaters for a limited release. More and more this is becoming an option. Offers can come out of these, but it's hard to pull off if you don't have a good sales agent. This is chance to host a screening of the film and invite movie distributors. It's also possible that a rep from someone on the film, a star, for example, could point you and the movie in the right direction.Ī sales rep will help try and connect your project to the right distributor.Ī good sales agent might help you set up. If you have a rep, agent or manager, they may be able to help get someone on board to help sell the finished film. Sales agents can help a film get seen by movie distributors. If your movie gets bought at a festival, you're in great shape. You end up rich, with a huge career in front of you.
Ideal scenario: your film kills it at the screening, and two independent film distributors enter into a bidding war for it. How your film plays at the festival is a factor. Make sure the people at the fest know when your film is screening.įor example, any independent film distributors or sales agents there should see your film. You want to get people to the screenings of your film. This is where having a strong press kit starts to factor into things pretty heavily. You'll go, hopefully for free, and you'll market the film there. Once you're in a festival, you'll want a game plan. Think realistically about where your film CAN premiere. Major releases take up premiere slots at them. They don't want one that's already played at a bunch of other festivals.īut be aware that SXSW and other festivals at that level have become industry events. Remember, premier status is essential in the festival world. You'll also want to target a few second and third tier fests after that. There will be people making mistakes and focusing on other things.Īnd this is assuming they do care about you. Because there will be turnover at the distribution company. They will say they do and talk about taking care of the filmmaker and the vision.Įven if that's their intent, you must take pains to protect yourself. This is a pretty significant policy because it protects the film, and the production company, from lawsuits.ĭistributors don't always have your best interests at heart. I've experienced movie distributors that didn't require errors and omissions insurance. Sure it makes sense to keep signed print outs of releases sometimes.īut the more of your production that can be streamlined and organized in the cloud, no less, the better. The days of relying only on the actual wrap binder are dwindling.
#OUTPUTTING FILMS AFTER SEPARATION STUDIO SOFTWARE#
This is where great production management software like StudioBinder’s can really help you out. Because you don't want any hold ups in selling your movie, once you're right on the brink. All of it.ĭot your i's and cross your t's. This means contracts, SAG time cards, digital assets. The important thing for you to remember is to stay organized from day one. It will depend on the type of deal, and the distributor. Some distributors might still want 35mm!įor international markets, there will be subtitling and dubbing. You might be asked to include a raw negative in 4k. It could also include trailers, key art, and photographs. This could include paperwork, documentation and legal. THE FILMMAKER’S ULTIMATE GUIDE TO VIDEO & FILM DISTRIBUTION Deliverablesĭeliverables include the actual media of the film, as well as many other things. Think about possible demographics, but also think about what movies get bought. If you're setting out to make an independent movie, think about how and where it'll be seen. Which types of movies are doing well on the festival circuit? Start by taking a look at what distributors are buying the most. And as the saying goes, it's better to be lucky than good. If you aren't at least somewhat aware of what's being bought at festivals by film distribution companies, how can you help make sure this movie is one of them? Why do you want to begin thinking about film distribution early?įirst reason: because you should make sure your movie has a shot at getting it in the first place.Īnother reason: there will be film distribution costs, like lab fees, additional legal fees, insurance. THE FILMMAKER’S ULTIMATE GUIDE TO VIDEO & FILM DISTRIBUTION Start thinking about distribution early
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